brett whiteley self portrait 1975

That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. 1978 was the only year in which all three prizes have been won simultaneously by the same person. Leslie Hollings (Editor), The Australian, Sydney, 17 Mar 1979, (illus.). Greg Weight (b. 15-41, London, 1995, 35, 165 (colour illus. Whiteley became the youngest artist to be purchased by the Tate Gallery when it acquired his only two works at the time, Red . and their inevitable separation added to the artist's problems with substances and self-doubt. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. 13: Brett Whiteley 'Self portrait in the studio' 1976. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. In retrospect, Whiteleys life and work in the 1970s, when he was widely perceived as Australias leading artist, may be seen as a time of great personal conflict. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. 30.5 x 25.5 cm signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Free entry, Find out what you need to know before visiting. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. Brett Whiteley is one of Australias most celebrated artists. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. Philip McIntosh. 45. ), 235. Explore the tradition of interior and still life painting by examining the work of Johannes Vermeer, Henri Matisse, Vincent van Gogh, Giorgio Morandi and Margret Preston. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. This approach was intended to allow Whiteley to speak "in his own words" about his life and art. Ink on Torn Reassembled Paper 65x60cm I think he has done this to make the place seem more realistic because if he had . unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). . Works of art from the collection are reproduced as per the, Let me know when this portraits on display. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. 6-33, Brisbane, 2004, 22 (colour illus. Whiteley loved painting Sydney Harbour views in the 1970s such as in his paintings, Henri's Armchair (1974)[10] The balcony 2 (1975)[11] and Interior with time past (1976),[12] which show an interior and exterior view starting with a room that leads through open windows to the harbour full of boats outside. BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. Shown in 22 exhibitions. And now perhaps just a bit taken with her own image', pg. from The New York Times: Clinton had borrowed from his proposals to make public colleges free. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick Whites list of his loves and hates onto his great portrait of the writer. The second painting has a completely different tone. Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. See opening hours In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. What is Whiteley trying to tell us about himself in his self-portraits? Brett Whiteley is photographed by Robert Walker at. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. Greg Weight on working with Jiawei Shen, and starting out as a photographer. 6-7, Melbourne, Jul 1996, 6 (illus. One way that America influenced him is in the scale of his works. Shop today! 26-53, Melbourne, 1997, 49 (colour illus. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Jill Sykes, Look, 'Members events', pg. In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Open daily We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Mervyn Horton (Editor), Art and Australia [vol. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. 9 (verso) in education pack. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. I agree to terms and conditions. 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). (Bibliographic reference no. Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. Whiteley died of a methadone overdose in Thirroul on the New South Wales south coast in 1992. 21, Sydney, 2008, 20 (colour illus. Weight photographed Whiteley throughout the 1970s. Unresolved: Release in which this issue/RFE will be addressed. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. Donated through. Brett Whiteley AO, artist, displayed a brilliant talent for drawing as a Sydney private schoolboy. 213-236, Sydney, Summer 1982, 235 (colour illus.). . [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. 100-111, London, 1998, 108 (colour illus.). Open daily The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Shop with Afterpay on eligible items. Purchased 1977 Wendy Whiteley, Need caption Humphrey McQueen, Art Monthly Australia, 'Positions vacant', pg. After studying desultorily at art school he travelled to Europe on ascholarship. Birds and heroes people Brett Whiteley's art. PROVENANCE. He painted a series of paintings based on these events, including Head of Christie. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . The Brett Whiteley Retrospective', pg. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. 174-195, Oxford, 2001, 190 (colour illus.). [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. (1939-1992 ) This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. 36. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). 17, Melbourne, Feb 2001, 17 (colour illus.). the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. AU $100.00. Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. It premiered at the Sydney Opera House on 15 July 2019. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. 26, Sydney, Jun 2014, 26 (colour illus.). Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). In 1991 he was awarded an Order of Australia. ), 162 (colour illus.). I think that the artwork is set in Brett Whiteley's studio Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. 34-35, Australia, Sep 1991, 34-35 (illus.). Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. 201-202, North Ryde, 2010, 202 (colour illus.). Closed Good Friday & Christmas day Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. He soon settled in Lavender Bay. Jane Hampson, Look, 'wwwhiteley.com', pg. His work was not always being praised by critics, although its market value continued to climb. Jennifer Phipps role at the time of publication was Curator of Australian Art. BRETT WHITELEY. Art Gallery of NSW. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . 5, Sydney, 07 Jul 1992, 5. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . 28-29, Sydney, 09 Sep 1995, 28-29. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." His self-portrait was a bold, almost grotesque confessional. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. cat.no. Its not the dark, edgy image of a celebrity, but the portrait of an artist. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. Brett Whiteley is one of Australia's most celebrated artists. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. Typically, the viewer is led deeper into the picture by means of minute detail. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. From $35.80. 1924 Miss Collins by W B McInnes. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. An amazing man. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. He . Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). . Britt Larsson., The Sydney Morning Herald, 'Whiteley's poser', Sydney, 10 Dec 1977, 16 (illus.). Leslie Hollings (Editor), The Australian, Sydney, 31 Mar 1979, (illus.). The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). This article appeared in the `Art' section of the newspaper. I am trying to become a great man. [5]. [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. morning, Available for everyone, funded by readers. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. As it turned out, he could be neither scared nor shamed into giving up heroin. Write a list of the things that interest you and your favourite objects. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. The National Portrait Gallery respects the artistic and intellectual property rights of others. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. An audio version released by Audible in 2016 was narrated by Mark Seymour. Brett Whiteley with Self Portrait in Studio 1976. 47-49, Sydney, Nov 2008, 47 (colour illus.). Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. He also painted the darling harbour and the opera because he lived in sydney. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Shop with Afterpay on eligible items. The Version table provides details related to the release that this issue/RFE will be addressed. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas.